EXHIBITIONS Alexander Gronsky

14th April – 12th June 2015

Dzerzhinskiy, Suburbs of Moscow, Russia, 2009

From the series: Pastoral

Archival pigment print

90 x 108cm

Edition of 5 + 2 AP

Dzerzhinskiy II, Suburbs of Moscow, Russia, 2009

From the series: Pastoral

Archival pigment print

90 x 108cm

Edition of 5 + 2 AP

Novye Mytischi, Suburbs of Moscow, Russia, 2010

From the series: Pastoral

Archival pigment print

90 x 108cm

Edition of 5 + 2 AP

Strogino I, Suburbs of Moscow, Russia, 2009

From the series: Pastoral

Archival pigment print

90 x 108cm

Edition of 5 + 2 AP

Mar'ino, Suburbs of Moscow, Russia, 2009

From the series: Pastoral

Archival pigment print

90 x 108cm

Edition of 5 + 2 AP

Siege of Leningrad, 2013

From the series: Reconstruction

Archival pigment print

Triptych 100 x 330cm

Edition of 3 + 1 AP

Breach of blockade, 2013

From the series: Reconstruction

Archival pigment print

Triptych 100 x 330cm

Edition of 3 + 1 AP

Stalingrad, 2013

From the series: Reconstruction

Archival pigment print

Triptych 100 x 330cm

Edition of 3 + 1 AP

Installation view

The Wapping Project Bankside is pleased to announce Estonian photographer, Alexander Gronsky’s first exhibition with the gallery.

Gronsky’s Pastoral series of large format photographs of Moscow’s suburban areas are reminiscent of the arcadian images created by 19th century landscape painters and reconstructs them in a way that jars with the romantic representations of a bygone era. Once defining borders becomes blurred in these photographs – the divisions between urban and pastoral, utopian and dystopian and the actors within these spaces are rendered ambiguous. Gronsky’s arresting use of colour and intelligent compositions are alluring, but these layered works are a study of how people inhabit a territory and what becomes evident in these images is the effect human life has on the environment in this Apothocene age.

Included in the exhibition are three works from Gronsky’s Reconstruction series that documents reenactments of historic Russian battles whilst simultaneously rendering them anachronistic with the inclusion of onlookers into the frame, constructed as triptychs, these works are filmic in nature and alludes to a panoramic view of an important battle whilst titles such as “Siege of Leningrad” are reminiscent of a Hollywood film. Continuing Gronsky’s study of perspective, in these works it appears formal whilst the colouring offers a certain flatness to the photographs.

Artist's Page

Artist's Exhibitions

Artist's News

Top